CHOREOGRAPHIC FORMS IN DANCE I. Sequential II.Contrapuntal III.Episodic IV.Other compositional forms 66. When they do, it can take many different forms. What is the best way to categorize the forms of dance? 16th Century Dance Forms The increasingly diverse repertory of dances in the 16th century is reflected in the large variety of dance compositions in the collections of lute, keyboard, and ensemble music of the time. CONTRAPUNTAL FORMS: Situation, Dance by Chance, Canon (Round), Ground Bass and Fugue. Not every culture has polyphonic or multi-part singing. The Exposition. Musical Forms From the Baroque Period . In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. a. Italy b. France c. Russia d. United States 2. A fugue begins with an exposition. This is similar to the way musical forms like the suite, symphony or concerto shape their overall contour or identity. Traditional music of East Asia tends to utilize multiple melodies rather than balancing a single melody against harmonies. PART 1: DANCE HISTORY A. Ground bass II.Round or Canon III.Fugue or Accumulation IV.Suite 68. CHOREOGRAPHIC FORMS IN DANCE 65. Once the choreographer has conceived key movement phrases, he or she can combine, manipulate and organize them into longer sequences, paying attention to:. This week it’s contrapuntal polyphony. The form of a dance determines the way it is organized. SEQUENTIAL FORMS I. AB (two-part) form II.ABA (three-part) form III.Rondo Form (ABACA) IV.Themes and variations form 67. In part 3, I wrote about canonic polyphony. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. Each fugue has its own structure that changes according to the composers invention and needs. Making Dance The Choreographer's Toolbox Form & Structure . This contrapuntal dance is composed of fixed movement material with some instances of structured improvisation. In part 2, I wrote about drone polyphony. Forms: The Fugue. As a compositional technique, counterpoint is found in many musical styles including Medieval music, gamelan, [not verified in body] and the music of West Africa. Multiple Choice: CIRCLE the letter of the best answer. CONTRAPUNTAL FORMS A. Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. Form . Ground Bass – single theme starts the dance and is repeated all the way through the dance while other contracting themes are simultaneously performed with it. B. In part 1, I wrote about parallel polyphony. contrapuntal polyphony. 1. While there is no set terminology, members of the company most often refer to the different segments of fixed movement as themes. 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